Courses by the renowned artist and art historianDmitry Gutov
Dmitry Gutov has crafted a series of mini-courses just for our school. From them, you'll learn:
- How to add meaning, ideas, and your own vision to your paintings to make them memorable
- Why, out of two similar paintings from the same era, one is considered a masterpiece and the other just "ordinary"
- What to change in your work so it's not just "ordinary" but catches the viewer's eye
- What to pay attention to at exhibitions and how to evaluate others' works


Leading contemporary artist
Instructor
- His works are in the Tretyakov Gallery, the Russian Museum, and the State Center for Contemporary Art
- Art historian and theorist, lectures worldwide
- Participant in the Venice Biennale and other exhibitions: "Manifesta" in Rotterdam, biennales in Istanbul and Shanghai, "Documenta" in Kassel, and over 120 others
- Finalist for the Kandinsky Prize in 2008 in the "Project of the Year" category
Mini-courses
1. Composition in Painting
ВAn artist's and art historian's view of a painting is quite different from that of a regular viewer.
ВWhat's the essence of this difference? A professional sees not just the depicted world and objects, but how they interact with the painting's surface.
ЯAn apple in a still life, moved just a couple of centimeters to the side, can either improve or worsen the work. Composition can be beautiful, or it can be weak, loose, and meaningless.
ТThe course of three lectures by Dmitry Gutov will be dedicated to learning how to see these nuances in painting.

Mini-course «Composition in Painting» includes:
Lecture01
How Artists See the World: Secrets of Composition in PaintingDuration 1 hour
We reveal the basics of composition, how artists perceive a blank canvas, and create harmony through geometric structures, diagonals, and centers.
Lecture02
Diagonals in Art: How Line Direction Changes the Meaning of a PaintingDuration 1 hour
We delve into working with diagonals, showing how movement direction in composition affects the emotional perception and meaning of the work.
Lecture03
Movement and Balance: How Artists Create Dynamics in Their WorksDuration 1 hour
We discuss the interaction of movement and stillness in composition, and how artists use contrasts and directions to create harmony and drama.
2. Perspective in Painting
The essence of the painting paradox is that it conveys a three-dimensional world on a flat surface. We live in a world where everything has volume: any apple, tree, face. For millennia, everyone who depicted anything tackled this problem. And they solved it in very different ways. Learning to draw this is largely about mastering the laws of transferring depth to a plane, which we traditionally convey with the concept of perspective.
In our course of three lectures, we will explore various solutions to this problem. We'll find out what reverse and direct perspective are, what aerial and tonal perspective are, what the horizon line is, and its significance in art.

Mini-course «Perspective in Painting» includes:
Lecture01
Perspective: How Artists Create the Illusion of Depth on a Flat CanvasDuration 1 hour
We discuss how direct and reverse perspective help convey the three-dimensional world on a two-dimensional plane. We explore why these techniques are so important for creating realistic and symbolic images.
Lecture02
Horizon Line and Perspective: How Artists Guide the Viewer’s EyeDuration 1 hour
We reveal the secrets of how the horizon line and perspective affect composition and the emotional perception of a painting. We learn to use high, low, and central horizon lines to create different effects, from grandeur to intimacy.
Lecture03
Depth of Field and Aerial Perspective: How Artists Create the Illusion of RealityDuration 1 hour
We explore how depth of field and aerial perspective help convey the illusion of real space. We learn how blurring, color transitions, and light effects create a sense of depth and atmosphere in painting.
3. Light and Shadow in Painting
We see the world only because there is light in it. In absolute darkness, neither vision nor painting can exist. But if we find ourselves in a space flooded with blinding light, we also won't see anything. It's no coincidence that such light is called blinding, meaning equal to blindness.
Painting is always a mix of light and shadow in different proportions. In our mini-course, we'll look at how artists over the centuries have worked with this problem and what solutions they've found.

Mini-course «Light and Shadow in Painting» includes:
Lecture01
How Artists Use Light and Shadow to Create DepthDuration 1 hour
We learn how light and shadow became the main tools for artists to convey emotions, volume, and space, from ancient times to the Renaissance.
Lecture02
How Light and Shadow Bring Paintings to Life: Secrets of Renaissance MastersDuration 1 hour
We study how artists from Giotto to Caravaggio used light and shadow to create the illusion of three-dimensional space on a flat canvas.
Lecture03
Light and Shadow: How Artists Created Masterpieces Through ContrastsDuration 1 hour
We explore how light and shadow transformed from a technical technique into a powerful tool for conveying emotions and creating dramatic effects in painting.
4. Композиционные приемы: Кадрирование, Рифмы, Обрыв первого плана
В этом мини-курсе мы погружаемся в тайны живописного построения, исследуя ключевые принципы композиции, которые делают картины такими выразительными и гармоничными.
Мы разберем, как художники используют кадрирование для создания сбалансированного и привлекательного изображения, как рифмы — повторяющиеся элементы — усиливают визуальное восприятие и задают ритм, а также как облом первого плана — акценты на переднем плане — помогает направлять наш взгляд и создавать ощущение глубины.
На примерах известных произведений искусства мы увидим, как эти приемы работают вместе, превращая картину в настоящий визуальный рассказ, наполненный смыслом и эмоциями.

Состав мини-курса «Перспектива в живописи»:
01лекция
Перспектива: как художники создают иллюзию глубины на плоском холстеПродолжительность 1 час
Обсуждаем, как прямая и обратная перспектива помогают передать трёхмерный мир на двухмерной плоскости. Рассматриваем, почему эти техники так важны для создания реалистичных и символических изображений.
02лекция
Линия горизонта и перспектива: как художники управляют взглядом зрителяПродолжительность 1 час
Раскрываем секреты, как линия горизонта и перспектива влияют на композицию и эмоциональное восприятие картины. Учимся использовать высокую, низкую и центральную линию горизонта для создания разных эффектов, от величия до интимности.
03лекция
Глубина резкости и воздушная перспектива: как художники создают иллюзию реальностиПродолжительность 1 час
Рассматриваем, как глубина резкости и воздушная перспектива помогают передать иллюзию реального пространства. Узнаем, как размытие, цветовые переходы и световые эффекты создают ощущение глубины и атмосферы в живописи.