![[BIG] Ships and Piers — online Watercolor course](/images/products/preview-shipsandpiers-2x-scale-2_00x.jpg)
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Everyone paints summer seas. Try a winter one — when sky merges with water, wind drives the foam, and there's not a soul on the beach. That's where real painting lives.
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Ibryaev teaches not precision, but courage. One take, full pigment strength — and light you can feel.
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Rural charm in every season. For those who know that the most beautiful landscapes begin beyond the city limits.
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You'll paint a storm — and feel like you got soaked. Paint a calm sea — and hear the silence. The ocean is closer than you think.
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When your watercolor flowers look more alive than the bouquet on the windowsill — the course worked.
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Fog, haze, rain, and reflections on wet asphalt — cities of different countries through watercolor wetness. A journey that needs no passport.
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In January this park is silent. In July — it's so loud you can hear it from the paper. Ibryaev paints not the trees, but what's between them — air, light, and the season.
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A course after which you'll notice light in every alleyway — and wish you had a brush nearby.
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Six colors — and six large seascapes. Advanced techniques for those ready for a serious dive into watercolor and the ocean at the same time.
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Siberian forests in shades of fog. Not a single bright color — and not a single boring scene. Monochrome you can't look away from.
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The first course taught you to notice light. This one — to command it. Ibryaev returns and takes on portraits, still lifes, and everything that glows.
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By day — white walls that make you squint. By night — lights you don't want to leave. Italy on a large sheet, as Italy deserves.
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The fewer colors — the more air. A course about saying more with three colors than with thirty.
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A city where you don't need to draw every brick. Two strokes — and the street already leads somewhere.
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A rusty lantern, old pots, and vintage sneakers — the beauty of things nobody needs anymore, except an artist. Learning to paint glass, tin, and rust.
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Paradise birds, tropical fruits, and amazing animals. For those who need at least a painted tropical island in winter.
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You'll paint a tiger — and it will look at you as if you should apologize. Twelve animals with character that gives you goosebumps.
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Ink, mineral paints, and Eastern philosophy. Eight elegant flowers — and you're already a little bit Japanese artist. Brush speed matters.
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We paint from live flowers, not photographs. Carnations, irises, roses — and a Hercules beetle for dessert.
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A starter course for those who can't tell a pistil from a stamen yet, but already want to paint daisies like postcards from a botanical garden.
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Peonies that won't fit in a vase. Roses that won't fit on the page. And nearby — a vintage scooter or a porcelain teapot. Elena turns these into stories you want to hang on your wall.
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You'll start with a simple silhouette — and finish with a predator whose eyes gleam. Wildlife art that will make even your cat look at you with respect.
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A course about sunlight — on water, in parks, through clouds and fog. After this, you'll catch sunsets with a brush, not a phone.
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Your cat will finally sit still — at least on paper. Pencil, sponge, cotton pad — and a portrait that makes you want to purr.
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Eight portraits of taiga animals — layered watercolor for those who love bears, foxes, and owls more than people.
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The teacher lives in Crete and paints what she sees from her window. The best way to visit a port city — without buying a ticket.
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From Karelia to Svalbard — the lightness and freshness of northern watercolor. For those who find the south too bright.
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A sunny southern city with all its nuances and details. For those who find one hour per painting too little, and want perfection too much.
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The same house at six in the morning — pink and sleepy. At eight in the evening — golden and tired. A course about how it's not the pencil that draws architecture, but light.
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Learn to paint buildings so the architect won't be offended and the viewer won't be bored. Simplification without losing beauty.
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You found your grandmother's photo in the attic — the same embankment, the same lantern. Only the tram is different and the snow falls differently. You want to go back — even if only with a brush.
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A course for those who can't choose between city and countryside — here we paint both. And find charm in each.
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Multilayered botanical painting with detail that makes you want to reach for a magnifying glass. For the patient and flower-obsessed.
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Narrow streets and tile roofs — Europe you can miss without leaving home. We paint in more detail than we photograph.
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Lace, rhinestones, fur, silk — with markers on paper. Fashion as art, and vice versa.
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A personal sketchbook that in a year will be worth more than any photo album. Forest, sea, food — and your memories in markers.
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A jar of jam, grandma's teapot, and apples in the sun. A course for those who miss the countryside — and want to paint that feeling.
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Summer by the Black Sea — water in different states and Crimean landscapes. Cheaper than a vacation and smells like watercolor, not barbecue.
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City, architecture, and industrial aesthetics — fast, bold, juicy, and fun. For those tired of flowers.
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A watercolor time machine. We paint scenes that make you want to call your grandmother.
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Ivan will teach you to paint baby turtles on the beach and birds with rowan berries as if you'd been doing it your whole life. The main technique of this course — stop being afraid of a blank page.
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A warrior in anime style, Koschei in 3D, and a dragon in isometry. Ivan Kryukov turns fairy tales into something unexpected.
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Watercolor, liner, pencil — and permission to draw imperfectly. A course for those who want to let go of control and stop being afraid of "ruining it."
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Two cities reflected in water and in each other. "Watercolor thinking" — when you think in spots and it turns into St. Petersburg.
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Fur, skin, feathers — in pastel on different types of paper. Realism so convincing that the cat in the painting might start purring.
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Pastel is when paint becomes dust, and dust becomes art. Wildlife, landscapes, still life, and fashion — all in one course.
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Advanced level: landscapes, still lifes, and textured animals. A course for those who've already befriended pastel and want the hedgehog in the painting to actually look prickly.
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One pencil, one liner, and nineteen reasons to realize that color is an optional luxury.
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An old suitcase, hanging laundry, a flower in a vase — Irina sees art in simple things. And paints them with a syringe. Yes, a syringe.
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Four paintings — four states of the sea. From azure calm to a storm that makes you want to step back from the easel.
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January — with a dragon, July — with a mermaid. A calendar you'll look forward to flipping, not dread.
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One painting — one breath. Before you can doubt yourself, the mountain is already standing and the wave is already running. Watercolor for the decisive.
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Five techniques, six t-shirts, zero boredom. Ice, bleach, acrylic — and your wardrobe will never be the same.
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Drawing as therapy — pencil to the subconscious. Dreams, desires, and breaking through limits. No canvas needed, but results guaranteed.
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From the Altai to the Himalayas — learning to convey the volume and unique character of mountains. For those who can't travel to the mountains but really want to.
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Procreate, effects, and animation — drawing without paper, paints, or mess on the desk. Works on Android too.
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The full arsenal of watercolor techniques — wet-on-wet, salt, glazing — in winter scenery. For those who like winter at least on paper.
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Botany meets Slavic fairy tales — flowers with character, soft gradients, and miniature brush strokes. For those who believe every flower has a soul.
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Four geese — and each with its own opinion. A course about inventing a character, not copying one.
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