Urban Watercolors: Architect's Eye course with Andrey Samolinov
- Paint 8 pictures while learning an architect's insider tips: perspective, figure scale, and facade rhythm — all with simple, elegant solutions
- Learn to control light as you paint dawn, midday, and dusk through tone, contrast, and edges
- Discover how to create your own staffage, reshape scenes, build your own compositions, and use a variety of techniques in pursuit of your own creative goals
What this course is about
This course is about urban watercolor landscapes — and about learning to see in a city not just buildings, but the air between them. We'll work with what is often called "City Life": light, movement, street atmosphere, and a sense of place.
In the lessons I show how an artist moves from a reference photo to a living painting. How not to copy a photo, but to translate it into an image. How to shift the light, adjust the composition, and choose the right level of detail.
Who this course is for
This course is for those who are already familiar with watercolor and feel that simply "following lessons step by step" is no longer enough.
This course is a good fit if you:
- paint with watercolor and want to reach a new level;
- love urban scenes and want to learn how to capture atmosphere, not just an accurate drawing;
- are tired of copying photographs and want to understand how to think like an artist;
- are looking for ways to develop a stronger sense of composition, light, space, and staffage;
- want to sharpen your technique just enough so that it stops getting in the way and starts helping you bring your creative ideas to life.
Together, we'll think through urban scenes, reimagine compositions, find your own artistic voice, and rely on technique only where it's truly needed.
Course Program
We'll also cover basic color mixes for urban scenes and talk about how to build a palette that works for you — rather than blindly following someone else's formulas.
In this lesson you'll learn how to:
- choose a subject from a photo and turn a reference into an expressive composition;
- work on a wet sheet to avoid muddiness while keeping the transparency of watercolor;
- fit staffage and details into perspective;
- understand the stages: from masking fluid all the way to the final details.
In this lesson you'll learn how to:
- create a winning composition and paint a monochrome landscape;
- build a tonal map that guides the viewer's eye;
- combine wet-on-wet and dry techniques, including the dry-brush method;
- work in stages, following a logical sequence.
In this lesson you'll learn how to:
- build a perspective model of a street with dense development;
- manage detail, avoiding "visual noise";
- incorporate traffic flow and pedestrians into the composition without overworking the details;
- choose color mixes and use bright accents without overloading the scene.
In this lesson you'll learn how to:
- understand how light and color work in the evening and convey them in a painting;
- use simple technical shapes to paint staffage and place people within the scene's space;
- use a melamine sponge, masking tape, and a scrubber brush to shape perspective and movement across the square;
- follow the workflow: from broad, general strokes to local accents.
You'll understand where the course's techniques come from and why the air between buildings matters more to me than the façades themselves — and along the way, you'll start seeing your own watercolor work in a whole new light.
In this lesson you'll learn how to:
- choose a composition and pick the key bright accent in a night scene;
- paint an urban landscape with the light of shop windows, street lamps, and reflections on the pavement, keeping the transparency;
- apply technical techniques: washing off line work along masking tape, using a sponge, scrubber brush, and sandpaper;
- place staffage in perspective and in the light, without painting faces or details.
In this lesson you'll learn how to:
- choose a composition and adapt the reference to the mood you want;
- convey evening light and illumination within a narrow urban space;
- place accents so the eye moves through the scene naturally;
- use a sponge and scrubber brush for light and texture;
- paint perspective and staffage so the space feels dynamic.
In this lesson you'll learn how to:
- build a perspective model of an enfilade space and divide the scene into planes;
- change the lighting model to deepen the sense of space and add interest to the composition;
- distribute local accents within a narrow urban space;
- use line work, dry brush, a sponge, and a scrubber brush for light, texture, and movement;
- design staffage and carefully place figures into the perspective.
In this lesson you'll learn how to:
- choose a composition and scene angle that highlights the strongest parts of the reference;
- build the perspective of the square, divide it into planes, and preserve the sense of open space;
- convey the light-toned stone of the statue and its scale against the city backdrop, working with a warm-cool palette;
- carefully place figures into the perspective and light.
Course instructor
- I've been working in watercolor since 2015
- Member of the Russian Watercolor Union
- Member of the Watercolor Association of Siberia
- Member of the International Watercolor Society (IWS Globe)
- Author of 6 solo exhibitions in Russia and abroad, participant and prize-winner of more than 30 international watercolor exhibitions and projects (Fabriano, IWM, Olympiart, IWS Russia, Watercolor Association of Siberia, and others)
- Teaching since 2022
- My works are held in galleries and private collections in Russia, Georgia, Australia, France, and Israel
Course materials
Paper
- Watercolor paper, 100% cotton, 300 g/m², medium or rough grain
- A4 format (apx. 8" x 12") and A3/A2 (apx. 12" x 16" / 16" x 23") for main works
- Narrow format 380×130 mm (apx. 15" x 5") (Baohong CP block) for vertical streets
Recommended brands: Arches, Saunders Waterford, Fabriano, Baohong.
Paints
Professional watercolor paints, at least 24 colors. These brands work great: Nevskaya Palitra (White Nights), Gamma, Van Gogh, Mijello, Daniel Smith, SuperVision.
- Ultramarine
- Cobalt Blue
- Light Blue, Royal Blue, Lake Blue, Cerulean Blue
- Indigo
- Lemon Yellow
- Cadmium Yellow Medium
- Naples Yellow Light
- Ochre (including Light Ochre / Yellow Ochre)
- Sienna and Burnt Sienna
- Carmine
- Scarlet / Cadmium Red / orange shades for accents
- Hematite (copper, black)
- White
Brushes
- Round squirrel or squirrel-imitation brushes: No. 6 (main), No. 4 and No. 2, liner brush for details
- Large squirrel and synthetic brushes for washes
- Flat synthetic brushes approx. 10 and 16 mm (apx. 0.4" and apx. 0.6")
- Wide flat brush
- Calligraphy brush
- Thin brushes and liner brushes for line work
Auxiliary materials and tools
- HB graphite pencils
- Eraser and kneaded eraser
- Palette (ceramic or plastic)
- Water container (two is better: one for clean water, one for dirty)
- Masking tape
- Spray bottle for moistening paper
- Masking fluid (e.g., Sennelier)
- Fountain pen or liner pen for lines and accents
- Scrubber brush / water brush
- Palette knife
- Sponge, including melamine sponge
- Nylon stocking
- Special soap for cleaning brushes
- Sandpaper / sandpaper scraps for textures
- Paper towels or a rag for blotting your brush
Choose your plan
- 8 urban scenes
- 12 lessons: theory + practice + tips and tricks
- Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian
- "Course Unfreeze" — the option to start learning whenever it's convenient for you
- The ability to watch artwork analyses of other participants' work
- Lifetime access to course materials
- Review of your work and answers to your questions in the comments for 60 days from the moment you start the course
- Personal one-hour online consultation with the course expert
- +20 bonus dollars! Can be used toward the purchase of a course at the next marathon. Expires in 3 months
- 8 urban scenes
- 12 lessons: theory + practice + tips and tricks
- Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian
- "Course Unfreeze" — the option to start learning whenever it's convenient for you
- The ability to watch artwork analyses of other participants' work
- Lifetime access to course materials
- Review of your work and answers to your questions in the comments for 60 days from the moment you start the course
- Personal one-hour online consultation with the course expert
- +20 bonus dollars! Can be used toward the purchase of a course at the next marathon. Expires in 3 months
- 8 urban scenes
- 12 lessons: theory + practice + tips and tricks
- Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian
- "Course Unfreeze" — the option to start learning whenever it's convenient for you
- The ability to watch artwork analyses of other participants' work
- Lifetime access to course materials
- Review of your work and answers to your questions in the comments for 60 days from the moment you start the course
- Personal one-hour online consultation with the course expert
- +20 bonus dollars! Can be used toward the purchase of a course at the next marathon. Expires in 3 months
Frequently asked questions
At the end of the lesson, you'll upload a photo of your work. The instructor will be able to leave a text comment, a graphic comment (notes drawn directly on your painting), or an audio comment.
At the bottom of the final lesson there will be a comments section where you can ask any questions about the course.
If you're on a plan without feedback, it all depends on your own personal pace as you go through the lessons.
On plans with feedback, we actively work through the lessons over two months from the moment you "unfreeze" the course.
In general, I recommend taking the course at a relaxed pace — enjoy the process as much as possible.
Absolutely! The course is designed to work for both beginners and experienced artists. We start with simple cityscapes and gradually move on to more complex ones, so you'll have plenty of time to find your footing, build confidence, and see your own progress.
If you already have some experience, the course will help you deepen your skills, refine your technique, and develop your visual awareness by opening up new artistic approaches and possibilities.
This isn't like traditional school — lessons are always available as recordings, so you can build your own schedule whenever it works best for you.
It's never too late to learn to paint. In our school, 30% of students are over 50. They paint with joy, develop their skills and creative thinking — and feel younger in spirit and mind!
Write to us on WhatsApp — we'll be happy to help!