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Online Watercolor Course

Urban Watercolors: Architect's Eye course with Andrey Samolinov

  • Paint 8 pictures while learning an architect's insider tips: perspective, figure scale, and facade rhythm — all with simple, elegant solutions
  • Learn to control light as you paint dawn, midday, and dusk through tone, contrast, and edges
  • Discover how to create your own staffage, reshape scenes, build your own compositions, and use a variety of techniques in pursuit of your own creative goals
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Learn more about the course ↓
Medium: watercolor
Paintings: 8
Duration: 18 hours
Access: lifetime

What this course is about

This course is about urban watercolor landscapes — and about learning to see in a city not just buildings, but the air between them. We'll work with what is often called "City Life": light, movement, street atmosphere, and a sense of place.

In the lessons I show how an artist moves from a reference photo to a living painting. How not to copy a photo, but to translate it into an image. How to shift the light, adjust the composition, and choose the right level of detail.

We'll explore not just techniques, but the thinking behind them. When to simplify, when to push harder, when to stop. Technique, color mixes, and materials aren't the goal here — they're working tools that help you express the mood of a city and your own personal feelings.
Andrey Samolinov

Who this course is for

Course students

This course is for those who are already familiar with watercolor and feel that simply "following lessons step by step" is no longer enough.

This course is a good fit if you:

  • paint with watercolor and want to reach a new level;
  • love urban scenes and want to learn how to capture atmosphere, not just an accurate drawing;
  • are tired of copying photographs and want to understand how to think like an artist;
  • are looking for ways to develop a stronger sense of composition, light, space, and staffage;
  • want to sharpen your technique just enough so that it stops getting in the way and starts helping you bring your creative ideas to life.

Together, we'll think through urban scenes, reimagine compositions, find your own artistic voice, and rely on technique only where it's truly needed.

Course Program

Lesson 1
Introduction
In this lesson we'll get acquainted, and I'll show you how to look at an urban scene so you can develop your own perspective and your own way of working with watercolor.
Lesson 1 — Introduction
Lesson 2
Materials and Basic Mixes
In this lesson I'll show you my working tools. We'll put together a practical set that will help you take a cityscape from the very first brushstroke all the way to the finished piece.

We'll also cover basic color mixes for urban scenes and talk about how to build a palette that works for you — rather than blindly following someone else's formulas.

Lesson 2 — Materials and Basic Mixes
Lesson 3
"Advent"
Painting duration — 2 hours 30 minutes
In this lesson, we'll turn an evening cityscape from a tourist photo into a story. You'll learn to see the atmosphere and structure your process so the light and the freshness of the watercolor stay alive.

In this lesson you'll learn how to:

  • choose a subject from a photo and turn a reference into an expressive composition;
  • work on a wet sheet to avoid muddiness while keeping the transparency of watercolor;
  • fit staffage and details into perspective;
  • understand the stages: from masking fluid all the way to the final details.
Lesson 3 — Advent
Lesson 4
"A Man and His Shadow"
Painting duration — 1 hour 10 minutes
We'll turn a documentary photograph into an expressive scene where mood, movement, and a sense of presence emerge through the rhythm of steps, light, and shadow — without any unnecessary detail.

In this lesson you'll learn how to:

  • create a winning composition and paint a monochrome landscape;
  • build a tonal map that guides the viewer's eye;
  • combine wet-on-wet and dry techniques, including the dry-brush method;
  • work in stages, following a logical sequence.
Lesson 4 — A Man and His Shadow
Lesson 5
"St. Petersburg Blur"
Painting duration — 2 hours 40 minutes
We'll learn to work with a complex yet expressive urban scene. We'll catch the light, movement, and noise — removing the clutter from the reference to preserve transparency, the air between buildings, and the feeling of a big city.

In this lesson you'll learn how to:

  • build a perspective model of a street with dense development;
  • manage detail, avoiding "visual noise";
  • incorporate traffic flow and pedestrians into the composition without overworking the details;
  • choose color mixes and use bright accents without overloading the scene.
Lesson 5 — St. Petersburg Blur
Lesson 6
"Evening at Jaffa Gate"
Painting duration — 2 hours 40 minutes
In this lesson we assemble a scene from several references, lay out a square and its walls, and place people in a way that preserves the air, movement, and sense of scale — without slipping into unnecessary detail.

In this lesson you'll learn how to:

  • understand how light and color work in the evening and convey them in a painting;
  • use simple technical shapes to paint staffage and place people within the scene's space;
  • use a melamine sponge, masking tape, and a scrubber brush to shape perspective and movement across the square;
  • follow the workflow: from broad, general strokes to local accents.
Lesson 6 — Evening at Jaffa Gate
Lesson 7
About Myself and My Approach to Watercolor
In this lesson, I'll talk about why I'm so drawn to cities and watercolor, and how an architect's eye shapes the way I see streets, light, and space.

You'll understand where the course's techniques come from and why the air between buildings matters more to me than the façades themselves — and along the way, you'll start seeing your own watercolor work in a whole new light.

Lesson 7 — About Myself and My Approach to Watercolor
Lesson 8
"The Color of Night"
Painting duration — 2 hours 30 minutes
In this lesson we work with the nighttime city: wet pavement, red awnings, the glow of shop windows and headlights. We'll turn an evening photo into a story, learn to work boldly with dark tones while keeping watercolor's transparency.

In this lesson you'll learn how to:

  • choose a composition and pick the key bright accent in a night scene;
  • paint an urban landscape with the light of shop windows, street lamps, and reflections on the pavement, keeping the transparency;
  • apply technical techniques: washing off line work along masking tape, using a sponge, scrubber brush, and sandpaper;
  • place staffage in perspective and in the light, without painting faces or details.
Lesson 8 — The Color of Night
Lesson 9
"A Street in Siena"
Painting duration — 2 hours 10 minutes
We work with a narrow historic street and create a lively scene full of light, air, and movement. Through small adjustments to composition and color, we'll make the street come alive rather than look like a collection of bricks and windows.

In this lesson you'll learn how to:

  • choose a composition and adapt the reference to the mood you want;
  • convey evening light and illumination within a narrow urban space;
  • place accents so the eye moves through the scene naturally;
  • use a sponge and scrubber brush for light and texture;
  • paint perspective and staffage so the space feels dynamic.
Lesson 9 — A Street in Siena
Lesson 10
"Labyrinth"
Painting duration — 2 hours
In this lesson, we'll change the lighting scheme, build up planes and soft transitions, and use paint granulation to convey texture and the sense of air deep in the space.

In this lesson you'll learn how to:

  • build a perspective model of an enfilade space and divide the scene into planes;
  • change the lighting model to deepen the sense of space and add interest to the composition;
  • distribute local accents within a narrow urban space;
  • use line work, dry brush, a sponge, and a scrubber brush for light, texture, and movement;
  • design staffage and carefully place figures into the perspective.
Lesson 10 — Labyrinth
Lesson 11
"A Citizen of Tuscany"
Painting duration — 2 hours 30 minutes
We'll paint a square with a monument, focusing on space, light, and a sense of monumentality — choosing a strong angle, emphasizing what matters most, and gently simplifying everything else.

In this lesson you'll learn how to:

  • choose a composition and scene angle that highlights the strongest parts of the reference;
  • build the perspective of the square, divide it into planes, and preserve the sense of open space;
  • convey the light-toned stone of the statue and its scale against the city backdrop, working with a warm-cool palette;
  • carefully place figures into the perspective and light.
Lesson 11 — A Citizen of Tuscany
Lesson 12
Conclusion
In the final lesson, we'll wrap up the course and give you an extra boost of motivation for your future urban watercolors.
Lesson 12 — Conclusion

Course instructor

Andrey Samolinov
Andrey Samolinov
Watercolor artist, architect
  • I've been working in watercolor since 2015
  • Member of the Russian Watercolor Union
  • Member of the Watercolor Association of Siberia
  • Member of the International Watercolor Society (IWS Globe)
  • Author of 6 solo exhibitions in Russia and abroad, participant and prize-winner of more than 30 international watercolor exhibitions and projects (Fabriano, IWM, Olympiart, IWS Russia, Watercolor Association of Siberia, and others)
  • Teaching since 2022
  • My works are held in galleries and private collections in Russia, Georgia, Australia, France, and Israel

Course materials

Paper

  • Watercolor paper, 100% cotton, 300 g/m², medium or rough grain
  • A4 format (apx. 8" x 12") and A3/A2 (apx. 12" x 16" / 16" x 23") for main works
  • Narrow format 380×130 mm (apx. 15" x 5") (Baohong CP block) for vertical streets

Recommended brands: Arches, Saunders Waterford, Fabriano, Baohong.

Paints

Professional watercolor paints, at least 24 colors. These brands work great: Nevskaya Palitra (White Nights), Gamma, Van Gogh, Mijello, Daniel Smith, SuperVision.

  • Ultramarine
  • Cobalt Blue
  • Light Blue, Royal Blue, Lake Blue, Cerulean Blue
  • Indigo
  • Lemon Yellow
  • Cadmium Yellow Medium
  • Naples Yellow Light
  • Ochre (including Light Ochre / Yellow Ochre)
  • Sienna and Burnt Sienna
  • Carmine
  • Scarlet / Cadmium Red / orange shades for accents
  • Hematite (copper, black)
  • White

Brushes

  • Round squirrel or squirrel-imitation brushes: No. 6 (main), No. 4 and No. 2, liner brush for details
  • Large squirrel and synthetic brushes for washes
  • Flat synthetic brushes approx. 10 and 16 mm (apx. 0.4" and apx. 0.6")
  • Wide flat brush
  • Calligraphy brush
  • Thin brushes and liner brushes for line work

Auxiliary materials and tools

  • HB graphite pencils
  • Eraser and kneaded eraser
  • Palette (ceramic or plastic)
  • Water container (two is better: one for clean water, one for dirty)
  • Masking tape
  • Spray bottle for moistening paper
  • Masking fluid (e.g., Sennelier)
  • Fountain pen or liner pen for lines and accents
  • Scrubber brush / water brush
  • Palette knife
  • Sponge, including melamine sponge
  • Nylon stocking
  • Special soap for cleaning brushes
  • Sandpaper / sandpaper scraps for textures
  • Paper towels or a rag for blotting your brush

Choose your plan

I Draw It Myself
  • 8 urban scenes
  • 12 lessons: theory + practice + tips and tricks
  • Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian
  • "Course Unfreeze" — the option to start learning whenever it's convenient for you
  • The ability to watch artwork analyses of other participants' work
  • Lifetime access to course materials
  • Review of your work and answers to your questions in the comments for 60 days from the moment you start the course
  • Personal one-hour online consultation with the course expert
  • +20 bonus dollars! Can be used toward the purchase of a course at the next marathon. Expires in 3 months
With Support
  • 8 urban scenes
  • 12 lessons: theory + practice + tips and tricks
  • Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian
  • "Course Unfreeze" — the option to start learning whenever it's convenient for you
  • The ability to watch artwork analyses of other participants' work
  • Lifetime access to course materials
  • Review of your work and answers to your questions in the comments for 60 days from the moment you start the course
  • Personal one-hour online consultation with the course expert
  • +20 bonus dollars! Can be used toward the purchase of a course at the next marathon. Expires in 3 months
VIP
  • 8 urban scenes
  • 12 lessons: theory + practice + tips and tricks
  • Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian
  • "Course Unfreeze" — the option to start learning whenever it's convenient for you
  • The ability to watch artwork analyses of other participants' work
  • Lifetime access to course materials
  • Review of your work and answers to your questions in the comments for 60 days from the moment you start the course
  • Personal one-hour online consultation with the course expert
  • +20 bonus dollars! Can be used toward the purchase of a course at the next marathon. Expires in 3 months

Frequently asked questions

At the end of the lesson, you'll upload a photo of your work. The instructor will be able to leave a text comment, a graphic comment (notes drawn directly on your painting), or an audio comment.

At the bottom of the final lesson there will be a comments section where you can ask any questions about the course.

If you're on a plan without feedback, it all depends on your own personal pace as you go through the lessons.

On plans with feedback, we actively work through the lessons over two months from the moment you "unfreeze" the course.

In general, I recommend taking the course at a relaxed pace — enjoy the process as much as possible.

Absolutely! The course is designed to work for both beginners and experienced artists. We start with simple cityscapes and gradually move on to more complex ones, so you'll have plenty of time to find your footing, build confidence, and see your own progress.

If you already have some experience, the course will help you deepen your skills, refine your technique, and develop your visual awareness by opening up new artistic approaches and possibilities.

This isn't like traditional school — lessons are always available as recordings, so you can build your own schedule whenever it works best for you.

It's never too late to learn to paint. In our school, 30% of students are over 50. They paint with joy, develop their skills and creative thinking — and feel younger in spirit and mind!

Write to us on WhatsApp — we'll be happy to help!

Still have questions?