What’s the course about?

On this course we’ll take a picturesque journey through old Russian towns — with a brush and watercolor. You’ll paint 8 atmospheric landscapes: churches and towers, sunset streets, shaded alleys, and bright domes. From architecture to nature — a harmony of light, color, and form.

You’ll learn to work with architecture without fear, to convey light, shadow, weather, and mood in a landscape, and to build composition and depth in complex scenes.

This isn’t just a technical course — it’s an engaging journey: from observation to expressive painting, from reference to your own story. The course is suitable both for beginners and for more advanced students.

Who will benefit from the course

This course is great for both complete beginners and those who already know the basics of composition.

Beginners will get a clear, easy-to-follow foundation that makes architecture stop feeling complicated and scary.

Continuing students will sharpen their loose painting skills and learn to capture the character of buildings and how they interact with nature, light, and air. We won’t get hung up on millimeters — instead, we’ll focus on sensing form and atmosphere so your architecture truly “breathes” on the paper.

Course Program

Lesson 1

Getting to Know the Instructor

In this lesson I’ll tell you a bit about myself — who I am, how I got into watercolor, why I fell in love with architecture, and what I want to pass on to you through this course.

Lesson 2

Materials Overview for Course

In this lesson we’ll go through all the materials you need to comfortably and successfully complete the course. I’ll show the watercolor paints, brushes, and paper I use myself, and I’ll talk about alternatives if your set is different.

Lesson 3

Material Essentials and Tips

In this lesson we’ll try the materials out in practice — I’ll show how they behave on paper and what to watch for so you can go through the course with confidence and enjoy it.

Lesson 4

Painting en Plein Air

In this lesson we’ll talk about the most alive and honest way to paint — painting en Plein Air. I’ll show you my works done from life, tell the stories behind them, and share how to find inspiration in the most ordinary places: a city park, by the water, or just around the corner from your home.

Lesson 5

Windmill

Duration ~ 1 hour

In this lesson we’ll create a calm, lively landscape where the windmill’s architecture is a gentle accent, while the main focus is on the golden hour atmosphere — that magical moment before sunset when everything fills with warm light.

In the lesson:

  • let’s break down how to convey the light and atmosphere of the golden hour;
  • we'll learn to paint reflections in water;
  • let’s focus on working with tone and color;
  • let’s fit architecture into a natural landscape without constructing perspective.

Lesson 6

Red Church

Duration ~ 1 hour 20 minutes

In this lesson we’ll find ourselves in the very heart of Pereslavl-Zalessky and paint architecture nestled among the shadows of foliage and sunlit highlights on brick walls — lively and atmospheric, so the building breathes air, light, and color.

In the lesson:

  • let’s go over how to convey color harmoniously in architecture;
  • we’ll learn how to show sunlight and tree shadows;
  • let’s practice painting architecture without strict constructions;
  • let’s explore how to work with a red–green palette without color conflicts.

Lesson 7

Monastery at Sunset

Duration ~ 2 hours

In this lesson we’ll tackle a challenging but highly expressive task — white architecture in sunset light. Expect lots of decorative details, complex lighting, deep shadows under the tree canopies, and bright highlights from the setting sun.

In the lesson:

  • we'll go over how to convey white architecture in evening lighting;
  • let’s practice building a proper painting sequence;
  • we'll learn how to work with decorative details without overloading the composition;
  • let’s work on tree shadows and the effect of sunlight filtering through the leaves.

Lesson 8

Old Estate

Duration ~ 1 hour 55 minutes

In this lesson we’ll work on wooden architecture tucked into greenery. We’ll go over a two-point perspective setup to show the house in a gentle perspective. You’ll learn to render architecture in shadow — with light reflections from sunlit leaves — without losing the sense of volume.

In the lesson:

  • we'll paint a wooden estate using two-point perspective;
  • we'll render the architecture in shadow with green reflections;
  • we’ll explore different shades of green without using ready-made green paints.

Lesson 9

Watchtower in Green Silence

Duration ~ 2 hours

In this lesson we’ll head to Pskov and paint the old Gremyachaya Tower — one of the city’s standout architectural treasures. The scene blends a monumental stone structure with the soft, living nature around it. We’ll learn how to convey that harmonious union.

In the lesson:

  • we’ll learn how to convey the texture of old stone;
  • let’s work with overcast light and a soft palette;
  • let’s study plane organization and working with nature in an architectural scene;
  • let’s break down how to fit architecture into a landscape.

Lesson 10

Noon by Temple

Duration ~ 1 hour 50 minutes

In this lesson we’ll travel to one of the most picturesque towns of the Russian North — Vologda. We’ll paint a shady alley leading to a church, capture the soft sunlight, and learn how to build a composition where architecture blends harmoniously with nature.

In the lesson:

  • let’s simplify complex architecture without losing its character;
  • let’s practice arranging planes in a landscape;
  • let’s work with sunlight and shadow;
  • let’s explore techniques for painting trees using dry and wet methods.

Lesson 11

Sunny Day Walk

Duration ~ 1 hour 45 minutes

In this lesson we’ll head to the atmospheric wooden Kostroma and paint a sunlit street lined with traditional Russian architecture. We’ll work on wood texture, learn how it reflects and “absorbs” the surrounding light, and practice capturing its character without overworking the details.

In the lesson:

  • let’s work on wood texture and choosing the right shades;
  • we’ll learn to depict a cobblestone street without unnecessary detail;
  • let’s study techniques for depicting birches — in the foreground and the background;
  • we'll convey the feeling of warm summer light filtering through the leaves.

Lesson 12

Optina Monastery

Duration ~ 1 hour 10 minutes

In this lesson we’ll work with morning or midday backlight — a rare but very expressive situation where architecture is lit from behind. It calls for careful handling of tone and color: you don’t want to “overload” the silhouettes, but you still need to keep them light and believable.

In the lesson:

  • let’s learn how to work with backlighting in architecture;
  • let’s practice painting the sky dry — with lively clouds;
  • let’s figure out how to keep the form intact when working with white facades;
  • let’s talk about working smart with photo references and choosing the right composition.

Lesson 13

Course finale

And so our watercolor journey has come to an end. Together we moved from simple studies to complex architectural compositions, learning to see light, color, and mood in every scene. Thank you for being with us — see you at the next creative meetup!

Course Instructor Olga Kabaeva

Watercolor artist

I’ve been teaching watercolor since 2016

Graduated from the Stieglitz St. Petersburg State Academy of Art and Design and the Repin Academy of Arts, majoring in architecture

Has participated in numerous exhibitions

I work in my studio and lead master classes

Member of the Artists' Union

Materials for the course

watercolor paints

Professional watercolor paints, a 24–36 color palette (for example, Nevskaya Palitra or equivalent)

paper

Paper 50–100% cotton, 200 gsm, medium grain. Brands: Baohong, Fabriano Artistico, Lilia Holding, Saunders (any watercolor paper suitable in composition as preferred by the student)

Additional materials

Pencil H–2B, eraser Koh-i-Noor/Faber-Castell, masking tape, board (wooden or plastic — whichever is easiest for the student to use), water container, paper towels

brushes

  • Large round brush squirrel/squirrel mix (main brush the student works with)
  • Brands: Roubloff, BelkaBrush, Da Vinci, Malevich
  • Small round brush for detailing squirrel/weasel/synthetic (a small brush typically used by a student)
  • Flat synthetic brush of any brand

I will be using brushes:

  • round brush squirrel mix, Malevich No.8
  • Round squirrel, Art-Kvartal No.3
  • Liner brush for detailing round weasel brushes mix, Sonnet No. 3
  • Flat synthetic, Art-Kvartal No.10

Plans

I Draw It Myself
  • 8 Architectural Landscapes
  • 13 lessons: theory + practice + developmental exercises
  • Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian.
  • "Course Unfreeze" - the chance to start your training at a time that works for you
  • Ability to watch Artworks analysis of other participants' paintings
  • Lifetime access to materials
  • Artworks analysis of your paintings — 60 days
  • One-hour private online consultation with a course expert
  • > +$20 bonus dollars! You can use them toward buying a course at the next marathon. They expire in 3 months
200 $
$
With Support
  • 8 Architectural Landscapes
  • 13 lessons: theory + practice + developmental exercises
  • Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian.
  • "Course Unfreeze" - the chance to start your training at a time that works for you
  • Ability to watch Artworks analysis of other participants' paintings
  • Lifetime access to materials
  • Artworks analysis of your paintings — 60 days
  • One-hour private online consultation with a course expert
  • > +$20 bonus dollars! You can use them toward buying a course at the next marathon. They expire in 3 months
250 $
$
Plan VIP
  • 8 Architectural Landscapes
  • 13 lessons: theory + practice + developmental exercises
  • Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian.
  • "Course Unfreeze" - the chance to start your training at a time that works for you
  • Ability to watch Artworks analysis of other participants' paintings
  • Lifetime access to materials
  • Artworks analysis of your paintings — 60 days
  • One-hour private online consultation with a course expert
  • > +$20 bonus dollars! You can use them toward buying a course at the next marathon. They expire in 3 months
500 $
$

Frequently Asked Questions

I can’t paint at all. I’ve always thought I’m just not gifted. No talent. Should I take the course?

Even if you think you don’t have talent and have never painted before, this course will still be useful for you. It’s important to remember that talent isn’t something only some people are born with. Painting is a skill you can develop and improve through practice and instruction.

The course is designed for different skill levels, including beginners.

If you’re on a plan without feedback, it all depends on your personal pace as you go through the lessons.

On plans WITH SUPPORT we work actively through the lessons for two months from the moment you do the Course Unfreeze.

Overall, I recommend taking the course slowly. Enjoy the process more.

It’s never too late to learn to paint. In our school, 30% of students are over 50. They enjoy painting, develop their skills and creative thinking, and feel younger in both spirit and mind!

At the end of the lesson you’ll upload a photo of your work. The instructor will be able to leave a text comment, graphic notes directly on the painting, and an audio comment.

At the bottom of each lesson there will be a comments section where you can ask any questions about the course.

Any questions left about the course?

Didn't find the answer to your question? Send us a message via WhatsApp or Telegram.