On this course we’ll take a picturesque journey through old Russian towns — with a brush and watercolor. You’ll paint 8 atmospheric landscapes: churches and towers, sunset streets, shaded alleys, and bright domes. From architecture to nature — a harmony of light, color, and form.
Small-Town Architecturewith Olga Kabaeva
- Create 8 sunny landscapes featuring Small-Town Architecture
- Learn to depict historic buildings and natural surroundings together in one scene
- Master painting the textures of wood, stone, brick, and plaster in watercolor
Material: watercolor
Number of paintings: 8
Course duration: 13 hours
Access: Lifetime access
What’s the course about?
You’ll learn to work with architecture without fear, to convey light, shadow, weather, and mood in a landscape, and to build composition and depth in complex scenes.
This isn’t just a technical course — it’s an engaging journey: from observation to expressive painting, from reference to your own story. The course is suitable both for beginners and for more advanced students.
Who will benefit from the course
This course is great for both complete beginners and those who already know the basics of composition.
Beginners will get a clear, easy-to-follow foundation that makes architecture stop feeling complicated and scary.
Continuing students will sharpen their loose painting skills and learn to capture the character of buildings and how they interact with nature, light, and air. We won’t get hung up on millimeters — instead, we’ll focus on sensing form and atmosphere so your architecture truly “breathes” on the paper.
Course Program
Lesson 4
Painting en Plein Air
In this lesson we’ll talk about the most alive and honest way to paint — painting en Plein Air. I’ll show you my works done from life, tell the stories behind them, and share how to find inspiration in the most ordinary places: a city park, by the water, or just around the corner from your home.
Lesson 5
Windmill
Duration ~ 1 hour
In this lesson we’ll create a calm, lively landscape where the windmill’s architecture is a gentle accent, while the main focus is on the golden hour atmosphere — that magical moment before sunset when everything fills with warm light.
In the lesson:
- let’s break down how to convey the light and atmosphere of the golden hour;
- we'll learn to paint reflections in water;
- let’s focus on working with tone and color;
- let’s fit architecture into a natural landscape without constructing perspective.
Lesson 6
Red Church
Duration ~ 1 hour 20 minutes
In this lesson we’ll find ourselves in the very heart of Pereslavl-Zalessky and paint architecture nestled among the shadows of foliage and sunlit highlights on brick walls — lively and atmospheric, so the building breathes air, light, and color.
In the lesson:
- let’s go over how to convey color harmoniously in architecture;
- we’ll learn how to show sunlight and tree shadows;
- let’s practice painting architecture without strict constructions;
- let’s explore how to work with a red–green palette without color conflicts.
Lesson 7
Monastery at Sunset
Duration ~ 2 hours
In this lesson we’ll tackle a challenging but highly expressive task — white architecture in sunset light. Expect lots of decorative details, complex lighting, deep shadows under the tree canopies, and bright highlights from the setting sun.
In the lesson:
- we'll go over how to convey white architecture in evening lighting;
- let’s practice building a proper painting sequence;
- we'll learn how to work with decorative details without overloading the composition;
- let’s work on tree shadows and the effect of sunlight filtering through the leaves.
Lesson 8
Old Estate
Duration ~ 1 hour 55 minutes
In this lesson we’ll work on wooden architecture tucked into greenery. We’ll go over a two-point perspective setup to show the house in a gentle perspective. You’ll learn to render architecture in shadow — with light reflections from sunlit leaves — without losing the sense of volume.
In the lesson:
- we'll paint a wooden estate using two-point perspective;
- we'll render the architecture in shadow with green reflections;
- we’ll explore different shades of green without using ready-made green paints.
Lesson 9
Watchtower in Green Silence
Duration ~ 2 hours
In this lesson we’ll head to Pskov and paint the old Gremyachaya Tower — one of the city’s standout architectural treasures. The scene blends a monumental stone structure with the soft, living nature around it. We’ll learn how to convey that harmonious union.
In the lesson:
- we’ll learn how to convey the texture of old stone;
- let’s work with overcast light and a soft palette;
- let’s study plane organization and working with nature in an architectural scene;
- let’s break down how to fit architecture into a landscape.
Lesson 10
Noon by Temple
Duration ~ 1 hour 50 minutes
In this lesson we’ll travel to one of the most picturesque towns of the Russian North — Vologda. We’ll paint a shady alley leading to a church, capture the soft sunlight, and learn how to build a composition where architecture blends harmoniously with nature.
In the lesson:
- let’s simplify complex architecture without losing its character;
- let’s practice arranging planes in a landscape;
- let’s work with sunlight and shadow;
- let’s explore techniques for painting trees using dry and wet methods.
Lesson 11
Sunny Day Walk
Duration ~ 1 hour 45 minutes
In this lesson we’ll head to the atmospheric wooden Kostroma and paint a sunlit street lined with traditional Russian architecture. We’ll work on wood texture, learn how it reflects and “absorbs” the surrounding light, and practice capturing its character without overworking the details.
In the lesson:
- let’s work on wood texture and choosing the right shades;
- we’ll learn to depict a cobblestone street without unnecessary detail;
- let’s study techniques for depicting birches — in the foreground and the background;
- we'll convey the feeling of warm summer light filtering through the leaves.
Lesson 12
Optina Monastery
Duration ~ 1 hour 10 minutes
In this lesson we’ll work with morning or midday backlight — a rare but very expressive situation where architecture is lit from behind. It calls for careful handling of tone and color: you don’t want to “overload” the silhouettes, but you still need to keep them light and believable.
In the lesson:
- let’s learn how to work with backlighting in architecture;
- let’s practice painting the sky dry — with lively clouds;
- let’s figure out how to keep the form intact when working with white facades;
- let’s talk about working smart with photo references and choosing the right composition.
Course Instructor Olga Kabaeva
Watercolor artist
I’ve been teaching watercolor since 2016
Graduated from the Stieglitz St. Petersburg State Academy of Art and Design and the Repin Academy of Arts, majoring in architecture
Has participated in numerous exhibitions
I work in my studio and lead master classes
Member of the Artists' Union
Instructor's artworks
Materials for the course
watercolor paints
Professional watercolor paints, a 24–36 color palette (for example, Nevskaya Palitra or equivalent)
paper
Paper 50–100% cotton, 200 gsm, medium grain. Brands: Baohong, Fabriano Artistico, Lilia Holding, Saunders (any watercolor paper suitable in composition as preferred by the student)
Additional materials
Pencil H–2B, eraser Koh-i-Noor/Faber-Castell, masking tape, board (wooden or plastic — whichever is easiest for the student to use), water container, paper towels
brushes
- Large round brush squirrel/squirrel mix (main brush the student works with)
- Brands: Roubloff, BelkaBrush, Da Vinci, Malevich
- Small round brush for detailing squirrel/weasel/synthetic (a small brush typically used by a student)
- Flat synthetic brush of any brand
I will be using brushes:
- round brush squirrel mix, Malevich No.8
- Round squirrel, Art-Kvartal No.3
- Liner brush for detailing round weasel brushes mix, Sonnet No. 3
- Flat synthetic, Art-Kvartal No.10
Plans
- 8 Architectural Landscapes
- 13 lessons: theory + practice + developmental exercises
- Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian.
- "Course Unfreeze" - the chance to start your training at a time that works for you
- Ability to watch Artworks analysis of other participants' paintings
- Lifetime access to materials
- Artworks analysis of your paintings — 60 days
- One-hour private online consultation with a course expert
- +$20 bonus dollars! You can use them toward buying a course at the next marathon. They expire in 3 months
- 8 Architectural Landscapes
- 13 lessons: theory + practice + developmental exercises
- Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian.
- "Course Unfreeze" - the chance to start your training at a time that works for you
- Ability to watch Artworks analysis of other participants' paintings
- Lifetime access to materials
- Artworks analysis of your paintings — 60 days
- One-hour private online consultation with a course expert
- +$20 bonus dollars! You can use them toward buying a course at the next marathon. They expire in 3 months
- 8 Architectural Landscapes
- 13 lessons: theory + practice + developmental exercises
- Machine translated subtitles: English, German, French, Italian, Spanish, Greek, Polish, Portuguese, Hungarian, Chinese, Indonesian.
- "Course Unfreeze" - the chance to start your training at a time that works for you
- Ability to watch Artworks analysis of other participants' paintings
- Lifetime access to materials
- Artworks analysis of your paintings — 60 days
- One-hour private online consultation with a course expert
- +$20 bonus dollars! You can use them toward buying a course at the next marathon. They expire in 3 months
Frequently Asked Questions
- I can’t paint at all. I’ve always thought I’m just not gifted. No talent. Should I take the course?
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Even if you think you don’t have talent and have never painted before, this course will still be useful for you. It’s important to remember that talent isn’t something only some people are born with. Painting is a skill you can develop and improve through practice and instruction.
The course is designed for different skill levels, including beginners.
- How long will it take to learn to paint beautifully with watercolor?
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If you’re on a plan without feedback, it all depends on your personal pace as you go through the lessons.
On plans WITH SUPPORT we work actively through the lessons for two months from the moment you do the Course Unfreeze.
Overall, I recommend taking the course slowly. Enjoy the process more.
- I’m 67 — can I learn to paint illustrations like these in the course?
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It’s never too late to learn to paint. In our school, 30% of students are over 50. They enjoy painting, develop their skills and creative thinking, and feel younger in both spirit and mind!
- How does feedback on my painting work?
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At the end of the lesson you’ll upload a photo of your work. The instructor will be able to leave a text comment, graphic notes directly on the painting, and an audio comment.
At the bottom of each lesson there will be a comments section where you can ask any questions about the course.
Any questions left about the course?
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